199 photos full of Sichuan stories

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Gold Award winning work lifeline. Yuanyongxin photographed

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in Gulu village, Yongli Yi Township, Hanyuan County, Sichuan Province. The newly built village roads meander forward; the villagers are carrying their belongings and excitedly go to their new houses in wazhagu village, Kumo Township, Zhaojue County, Liangshan Prefecture, and atuler village in zhiermo township; Luzhou, a hundred miles away, after the rain, arched rainbow across the city On August 15, the 17th Sichuan photography art exhibition was held in Sichuan Art Museum. 199 pieces (groups) of photographic works were exhibited, covering major current events at home and abroad in recent years, involving topics such as fighting against epidemic situation, tackling poverty, aiding Tibet and Yi people, banning fishing in the Yangtze River, rural tourism, live delivery and information age.

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these “steaming and dewy” works bring together Sichuan stories from different times and places, which vividly show that photographers in our province measure the land with their feet and record the magnificent era with images. It is reported that the exhibition will be free until August 31.

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have doubled the contributions of

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outline the life of Sichuan people.

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are the largest, the highest standard and the most influential photography art exhibition in Sichuan Province. The 17th photography art exhibition of Sichuan Province has two major categories: record and art. As of July, more than 20000 pieces (groups) of works by more than 1700 authors have been received, and the number of works has doubled compared with the previous one. What kind of photos are good photos? According to Chen Jin, winner of China photography golden statue award and judge of the 17th Sichuan photography art exhibition, the standard of good photos is a breakthrough in routine and works with innovative techniques or concepts. In the selection, he found that in addition to the masterpieces of the older generation of photographers, there were also many “back waves” rushing in. The works of these young photographers, influenced by Internet technology and new media, integrate new ideas and techniques, and provide a new visual aesthetic experience for the interpretation of the times. For example, Shi Jinyu’s group photo “isolation day” focuses on his isolation life in a hotel during the epidemic. With his diary, his special life style. This young man is also unique. He has collected 27 pieces of three meals of his own, with different colors and types, which shows the optimistic and upward life interest of Sichuan people.

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silver award work “listening and speaking”. Wang Chun photographed

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by Zhang zuqiang. Zhang Jin photographed “space dream” with

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Zhongjiang noodles by Wu Yu. Song Qian’s group photo of

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created by Chen Xianbin and Qin Mingzhong is also crazy about health care products, which uses dramatic techniques to satirize people’s exaggerated advocacy of the efficacy of health products in today’s society, giving people a sense of film. In the long scroll picture, in the face of health care products, people are watching, shouting and robbing It’s full of comedy and tension.

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have become the theme of this exhibition. Huang Shihui focuses his eyes on Jiangzhong village, Hexi Town, Jialing District, Nanchong City. He takes one month to record the spring ploughing and sowing here. In the field, farming left a vertical line, like a staff, playing the sound of the times of Rural Revitalization. He zeqiong’s moving a new house and Wang Junying’s one day of the first secretary extract touching moments from daily life. “Fairyland Qujiang bridge”, “swan swimming in Luzhou section of the Yangtze River” and “aerospace dream” show the details of Sichuan’s infrastructure, ecological change, science and technology.

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amateur players picked Gold Award

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resurrected. In a thrilling moment,

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in the exhibition hall on the second floor of Sichuan Art Museum, a work named “lifeline” was hung on the right side of the exhibition hall. The audience in the past would not help sighing: “it’s really dangerous!” It is this “dangerous” work that won the gold medal of this photography art exhibition.

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have been able to stand out from more than 20000 works (groups) and win the Gold Award. The strength of the photographers should not be underestimated. Who is he? On the day of the launch, the “black horse” appeared on the scene. To many people’s surprise, the thin man in front of him is just an ordinary photographer. His name is yuan Yongxin. It’s only one or two years after he retires to play photography.

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stand in front of the works. Yuan Yongxin recalls his shooting story. One day in August last year, he happened to pass by the Yazi River in Hexing Town, Guang’an City. Because of the heavy rain for several days, the upstream of the river burst into flood. An old man was trapped in the middle of the river, and the situation was very critical. The firefighters who arrived immediately tied a rope to the old man and dragged it to the bank. The game between water speed and saving people grabs everyone’s heart.

“what is a good record photo? There are stories, temperatures, and power! ” The scene in front of him gave yuan Yongxin a flash of inspiration. He held up his camera and took pictures of the scene in the river: in the vertical composition, the river that flooded people’s neck was rushing forward, and the people were washed seven and eight crooked, and their facial expressions were distorted. A long thin rope connects the lives of firefighters and trapped old people A year later, if you look at such a scene, you can still feel the danger of life hanging on the line.

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in Yuan Yongxin’s view, the camera is a sketchbook, a tool to capture immediate inspiration. The photographer needs to ask questions and make decisions about everything you see in an instant, and explain what’s going on in the world through a limited viewfinder.

there are still many new comers emerging in this exhibition. Zuo Shihua, executive vice president of Deyang Photographers Association, revealed that 14 photographers won prizes in this photography art exhibition alone in Deyang, including amateurs like yuan Yongxin. “In an era when everyone is a photographer, we need not only the masterpieces of professional photographers, but also the ordinary people to record the thrilling moments of every ordinary person in the big era through the camera.”

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walk into the fields and countryside.

fills the camera with warm

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photographers’ eyes, always staring at the story that is happening in the era。 They only need to move 1 mm back and forth to make the lines of the picture vivid; they can also get up or bend their knees to change what is presented under the perspective; or they can place the camera closer or farther away from the main body to depict a certain detail. In the photographer Zeng Yan’s group photo “aid Yi cadres – Wu Yi”, such details are everywhere and silent.

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in June 2018, as a Yi aid cadre from Dongpo District, Meishan City, Sichuan Province, Wu Yi came to dianzi village, LADA Township, Butuo County, Liangshan Prefecture, as the “four governance” commissioner. For two years, she visited the poor and helped the poor with true love.

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is one of the five arts of aiding Yi cadres. Zeng Yan photographed

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, one of the group photos of “one day of the first secretary”.

by Wang Junying

in order to show the daily life of ordinary Yi aid cadres, Zeng Yan followed Wu Yi many times, eating and living with the camera to show the “most beautiful face” of this group of people: when the mountain was blocked by snow, Wu Yi and the villagers shoveled snow to open the road; on rainy days, when the road was muddy, Wu Yi appeared in the residence to explain the policy to the villagers; under the warm sun, Wu Yi was the “grandmother” of the children, carefully combing their hair; and the shop Wu Yi was invited to be a guest when the villagers’ daughter got married. Around the bonfire, everyone was laughing and laughing. The fire lit up the face and warmed the heart. In every photo of

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, what impresses people’s hearts is not the exquisite composition, not the excellent light and shadow, but the reality hidden in the details. For example, in one photo, Wu Yi’s face occupies half of the picture, and she coolly wipes out the nosebleed. There is no need for skills, no fancy halo dye, simple pictures, naturally produce a kind of emotion. What Zeng Yan needs to do is to press the shutter to express the truth. Real details like

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are still hidden in more exhibition photos. In the Central School of Chonger Township in Zoige County, the new campus is clean and comfortable, and the children are habitually lying on the corridor to do their homework like they are on the grassland; in the “cliff village” poverty alleviation resettlement site in Zhaojue County, the boys who go to the new house share their details of moving to the netizens through live broadcast.

from this point of view, photography is like a ballroom dance, which requires photographers to dance with their environment. People, things and things in the environment have their own rhythm. The recorders like Zeng Yan skillfully combine the “certain rhythm” between the eyes and the soul, and sketch the story pictures with photography and painting, so that people can feel the loveliness and respect of the ordinary in this hot land in detail.

our reporter Bian Yu photos in this article are provided by Sichuan Photographers Association,

original title: 199 groups of photos full of Sichuan story